Over the past couple of weeks, I’ve been tinkering with the cover design for my forthcoming novel, the sequel for The Buddha’s Bone. I’m currently doing a proof read after making the amendments that my editor suggested, and since I find hard copies easier to read, I’ve printed another paperback. For the cover, I decided to use a design that I like, but won’t be using on the final published version, as it’s a bit too literary and not psychological enough. Rest assured you’ll be seeing all versions of the cover design in another post once it’s published.

Thinking of cover designs got me searching back through my Canva Pro drafts for old versions of my published books. It was fun perusing earlier cover ideas for my Belfast Ghosts trilogy, and recalling the reasons why I decided against using each one. Want to have a look? Here you go:

Despite the saying ‘don’t judge a book by its cover’, it’s pretty fair to say that everybody, in fact, does judge a book by its cover. As an indie author I don’t have a big PR team to promote my book: it’s up to me to design, as best I can, an attention grabbing cover. I’m happy with the final designs for The Blue Man, The Fairy Lights and Matthew’s Twin and the proof is in the pudding: all three have sold really well. Would they have sold as well if I had used the earlier versions that I eventually decided against? I’m pretty sure my sales wouldn’t have been as strong, as those covers weren’t as eye-catching, either on their own, or together in the trilogy. The colours weren’t as bold, making the titles fade more into the background rather than standing out. Graphics need to catch a customer’s eye in less than a second, I’d say; at least, that’s about how long it takes me to decide if a book looks interesting or not.

What do you think? What makes a book cover stand out? What factors about the design make you decide whether or not to stick it in your basket?

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About Leilanie Stewart

Leilanie Stewart is an award-winning author and poet from Belfast, Northern Ireland. She writes ghost and psychological horror, as well as experimental poetry. Her writing confronts the nature of self; her novels feature main characters on a dark psychological journey who have a crisis and create a new sense of identity. She began writing for publication while working as an English teacher in Japan, a career pathway that has influenced themes in her writing. Her former career as an Archaeologist has also inspired her writing and she has incorporated elements of archaeology and mythology into both her fiction and poetry. In addition to promoting her own work, Leilanie runs Bindweed Anthologies, a creative writing publication with her writer husband, Joseph Robert. Aside from publishing pursuits, Leilanie enjoys spending time with her husband and their lively literary lad, a voracious reader of sea monster books.

5 responses »

  1. I’m very susceptible to attractive covers, but they can be misleading. I like both versions of yours, and if they’re selling well with the final version that’s all the proof you need. 😊

    • Thanks for the vote of confidence in my second choices! ☺️ I like them too, just didn’t think they quite conveyed what I wanted to get across. I’m actually glad I didn’t do a beta read vote on them at the time though as I might have second guessed myself if I’d got mixed responses, like the dilemma I’m currently having with my forthcoming novel. 😂

      • I know it’s done to ask followers for their opinions, but I don’t like it. I asked opinions for the previous covers for my ‘Criminal Conversation’ series, and acted on the main advice given – only later to have it criticised by some of those who’d voted for it. I prefer to go with what I think works. I’ve read up on the subject, so I feel my choices are informed. Yours work well, I think. 🙂

      • Thanks, yours too. They really stand out, and have memorable colours and graphics, especially as a series. ☺️

      • Thank you! 🙂

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