What is success as a writer?

Now that my Indie author journey of making writing into my own business is underway, it’s time to think about a few things to do with the reality of publishing: what constitutes success?

Finding success as a writer depends entirely on your outlook. The reality of my own writing career is this: for my books that were traditionally published in the past decade, I receive a royalty statement bi-annually, and I’m thankful that my books are still selling all these years later. But are the royalties enough to make a living from? Well, I work a day-job to pay the bills – so that says it all. Does that mean I’m successful as a writer – because small, but regular, amounts of money keep trickling in? Or am I unsuccessful as a writer because it isn’t my living and I do other work to keep a roof over my head?

Do I want to make writing my full-time job? Of course I do; what author doesn’t want to write as their day-job. But this is where the definition of success starts to get tricky to define. Suppose an author is able to write full-time because they have income from another source to pay for their living costs. Technically, they’re at home writing for their nine to five, regardless of how well their books sell. Is that success as a writer; writing as a full-time occupation, regardless of how the bills are paid?

Then we have to factor in the costs spent versus the royalties reaped in publishing as a business. How about the costs involved in starting up the business of writing? For example, I pay annually for my author website – this blog you’re reading right now. I paid £84 for a premium account to own my own domain. Then, I paid £164 to Nielsen to buy my own ISBNs for my forthcoming books, which I’ll be self-publishing hence forwards. That makes me at a net loss of £248 before I’ve even published my first books under my own publishing imprint- The Buddha’s Bone is due to be released on 25th October this year, still five weeks away. Because I am at a net loss, does this mean I’m unsuccessful as a writer? Or maybe your position is that the saying is true: you have to spend money to make money.

I know many authors who consider success as a writer to equate to making a living from their writing. Personally for me, I consider success to mean your work is being read by as many people as possible in your target audience. That may, or may not, translate into money. But building a following is important too, and who knows? For some lucky folks (hopefully me as well) that may lead to a bigger paycheck in the process!

ARC reviews of The Buddha’s Bone on Goodreads

Snippet from Goodreads review # 1

With six weeks left until publication day for my literary fiction book and second novel, The Buddha’s Bone, I’ve been busy sending ARC copies to book reviewers, book bloggers and readers who have expressed interest after reading the blurb. I’m delighted to say that this week I’ve had my first positive reviews posted on Goodreads.

Snippet from Goodreads review # 2

As any reader knows, sending out your book is a nerve-wracking experience – more so if it is still on pre-order and not yet published. I’m relieved that there has been a fair amount of interest in my novel so far, and that it has been well received to date. I hope of course that continues to be the case as launch day draws ever closer!

Snippet from Goodreads review # 3

Countdown to publication: getting reviews

Publishing is a lifelong learning journey and in the past few months I’ve certainly had an education. Now that my manuscript has been typeset, the cover artwork has been uploaded, the publication details have been added and the book made available for pre-order, I’ve been busy behind the scenes gearing up for launch day. Essentially what that means is, I’ve been doing research on book bloggers and reaching out to ARC reviewers.

I made ARC copies using Calibre, which was straightforward; an important aspect for me, as I’m not the most confident person when it comes to technology. Having copies available in Mobi, ePub and PDF was important, as each reviewer so far has had a different preference for what type of file they prefer. Calibre was user-friendly when it came to uploading my original doc X manuscript, ready for conversion.

Extra proof copies for ARCs

Of course, I also bought extra proof copies to send to book bloggers who prefer physical copies. Apart from the ‘Not for Resale’ watermark and barcode on the back instead of ISBN, they give a good idea of how the book will look once published.

There’s not too much more to be said for now on the process, as my reviewers are still reading. With 2 months to go until launch day, there’s not a huge rush. I’ll be sure to keep you posted. In the meantime, look out for a forthcoming blog post on costs involved so far on my publishing journey.

Proof copy of The Buddha’s Bone arrived!

Guess what came in the post? My paperback proof copy of my second novel, The Buddha’s Bone, arrived a few days ago. You can imagine how excited I was, right? A rainbow appeared just as I was taking my promotional photos. If that isn’t a good omen, I don’t know what is!

Like the e-book, the paperback will be released on 25th October, right in time for Halloween. It’s not a horror – it’s literary fiction/social realism, but Halloween is my favourite season, so it’s double the fun to look forward to. If you want to listen to a sample reading, check out my video on YouTube here:

ARC of The Buddha’s Bone available from Booksprout

ARC copies are now up for The Buddha’s Bone on Booksprout!

Numbers are limited, so if you’d like a review copy, be sure to check out the link above.

It’s available for pre-order up until 25th October ☺️

More on the Paperback soon…

Typesetting and formatting a book for publication – what I’ve learned

It has been an intense week for me. Since I got my new laptop on 29th July, specifically one with enough RAM to power Kindle Direct Publishing (fyi, 8GB RAM is recommended) I’ve been getting stuck into my self-publishing journey. Last Saturday, I spent half the day learning how to format my manuscript for publication as an Ebook. Thankfully KDP have a handy Ebook template that you can download, which is very user-friendly. I’m not the most technologically adept person in the world, but I was able to manage converting my MS without any major hiccups. I chose to use Draft2Digital as a distributor for my Ebook to all the other major online bookstores aside from Amazon – Kobo, Barnes&Noble, etc – and they also provided a very user-friendly Ebook converter with a variety of different templates and fonts. I’ll be publishing separately on KDP in addition, mainly since I already had an account beforehand, but also so that I can run discount promotions from time to time.

This weekend I’ve been typesetting my manuscript for the paperback version, which will be released on 25th October when the Ebook is live. Typesetting was something that I hadn’t a clue about, or where to start, as recently as a few weeks ago. I had vague notions of using Adobe InDesign, but had heard that it could be quite challenging for a beginner. Thankfully KDP have a template for paperback to use that includes all the margins and layouts already formatted. I chose to select 5×8 as my trim (A5 size) after grabbing a few books off my nearest bookshelf at home and measuring them with a tape measure. Yep, I really was that clueless about the process! I was then able to insert my title page, copyright and acknowledgements followed by the rest of the MS where the template indicated to paste everything. The whole process turned out to be much more straightforward than I had been fearing. In fact, the bulk of my time was checking that there were no blank pages, that all the first lines had been correctly indented and that there weren’t any orphans and widows: I learned that there are settings for widow and orphan control under ‘line spacing’ on MS Word that you can ‘check’ to do this automatically for you. A note regarding publishing – paperback books cannot be set for pre-order on Amazon, so be sure to save your uploaded book as a draft instead of hitting publish, if your Ebook is set for a pre-order date – as your paperback will go live right away otherwise.

Preparing a book cover is another matter. An author friend of mine advised that Canva are a great source of cover artwork for those on a budget – she had used it for her book that she self-published last year. Now, I’m no graphic designer by any means, but I have a background in art and I had an idea in mind about how I wanted my cover to look. I was delighted to find an image to suit what I had visualised and was able to add graphics to it with ease. Changing the background colours and fonts is also much more straightforward than I had been fearing and I was able to tweak my photo exactly as I wanted. Draft2Digital require that the resolution of your cover artwork is 1600×2400, which is easy to do by selecting those requirements on Canva.

If you’re a fellow Indie author looking to self-publish your book, I would highly recommend using Draft2Digital if you’re looking to ‘go wide’ and Canva if you’re wanting to create your own cover artwork on a budget. KDP is also very user-friendly and has a great and easy to navigate cover creator tool as an option if you’re stuck. Whatever you decide on your own self-publishing journey, good luck with it!

Exciting news…my second novel is coming soon!

Cover reveal! It’s time to share my exciting news…my literary novel, The Buddha’s Bone, is coming on 25th October. Here’s the blurb from the back cover:

Death

Kimberly Thatcher wasn’t an English teacher. She wasn’t a poet. She wasn’t an adventurer. Now she wasn’t even a fiancée. But when one of her fellow non-Japanese colleagues tried to make her a victim, she said no.

Cremation

In Japan on a one-year teaching contract at a private English language school, and with her troubled relationship far behind her in London, Kimberly set out to make new friends. She would soon discover the darker side of travelling alone – and people’s true intentions.

Rebirth

As she came to question the nature of all those around her – and herself – Kimberly was forced to embark on a soul-searching journey into emptiness. What came next after you looked into the abyss? Could Kimberly overcome the trauma – of sexual assault and pregnancy loss – blocking her path to personal enlightenment along the way, and forge a new identity in a journey of-

Death. Cremation. Rebirth.

Ebook is available now on pre-order from all major online bookstores.

Paperback coming soon…

Summer writing update

Writing in the garden and getting some sun 🌞

As July draws to a close, it’s time for another literary check-in. Back in mid-June I had started the summer season with a checklist of things that I wanted to accomplish over July and August. I’ve been making my way through the list and have ticked a couple of things off so far. Here’s a summary:

1. Novel WIP#4, which is my supernatural/psychological horror story, is at 70,400 words. I’m three chapters away from the finish line, hurray!

2. I bought myself a great new Acer laptop yesterday (which was slightly above my budget, but it’s for writing/publishing purposes so it’s worth it!)

3. I have found Canva to be much more user-friendly than I had been worried about; pleased to say that I’ve designed my own professional-looking cover artwork instead of having to hire a graphic designer. Win-win!

4. I have decided to go with a distributor to enable my book to go wide. During the past few weeks I’ve been doing my homework – namely research comparing the different options (Bookbaby, Draft2Digital, Ingramsparks, etc) and watching YouTube videos by Indie Authors on how they did it. It’s feeling far less overwhelming than this time last month.

5. I’ve also been doing my homework re book marketing services and have found one within my budget who has had a thumbs up from at least one successful Indie Author I know. A trepidatious yes on this one.

As for the writing side, novel WIP#3 is basically finished and ready to be published. I’m lucky to have an amazing team of beta readers to read my final drafts, so I have no doubts about the quality of the manuscript on this particular book. Whether the theme is what may interest readers is another matter. But, if I could predict what an audience wants to read, then I’d be a bestselling author, wouldn’t I? Ah, but to dream!

Why I’ve decided to start my self-publishing journey

2021 has been a frustrating year for me on a publishing and personal level, but for the purpose of this post I’ll be sticking to my traditional publishing gripes. Background to this is that my debut novel, Gods of Avalon Road, was published in 2019 by Blossom Spring Publishing. That has been a good experience overall: I’m still even getting royalties trickling in on sales 2 years later which although meagre (aww) are a happy sign that people are still buying my book (yay).

In November 2020 I completed my third novel (novel work-in-progress #1 remains unpublished as the prose, being experimental, has so far had no luck on the trad-publishing slushpile!). Novel WIP#3 is a mainstream social realism story about a foreigner’s travels in Japan and deals with the themes of loss of identity and test of spirituality and faith. I received a request for a full MS from a small press publisher in December 2020 and as you can imagine, was rightly celebrating. In January this year, my hopes were raised further when said publisher sent me 2 A4 pages of detailed strengths and weaknesses of my story, including suggested revisions. Happily the bulk of this critique was in sync with a beta-reader, who also happens to have a PhD in English Literature – in other words, I valued this feedback. I implemented the changes to my MS that I agreed with and queried some of the other points; the publisher had welcomed any questions I had, and I did indeed have a small list, including my ideas on possible alternatives to their suggestions on parts that I felt might deflect from the protagonist’s growth arc or detract from the story. Reasonable enough, or so I thought. I’m not a ‘precious’ writer; I’ve worked with publishers and editors numerous times over the past decade to know how to cut stuff that doesn’t work, or revise parts to improve a book, etc. So, when I didn’t receive any response to my questions about the suggested revisions, or to a follow up email a few weeks later, you can imagine how I then came to view this publisher as unprofessional. I wouldn’t go as far as to say it was a waste of time; after all, they gave me a detailed critique free of charge. I understand that a publisher might be busy prioritising books that are slated for publication first rather than new projects, but if they can’t even be bothered to reply to an author, then is that really going to be a viable business relationship? Exactly!

Of course, this publisher was only one of several dozen that I had sent my cover letter and sample chapters to; one of many simultaneous submissions, for those of you reading who know the terminology. Sim subs don’t guarantee a writer will get a response any quicker though. As it happens, I’ve still been waiting since November to hear anything back from at least 20 of the above; a slow process in a writing career. I’m sure you might be wondering why I haven’t mentioned the publisher of my debut novel amidst all this? My debut, Gods of Avalon Road, was published as a standalone novel, which meant I had a one book contract (as opposed to some writer friends who have had 3 book contracts offered, on the basis that they then write 2 sequels after their debut). Additionally, novel WIP#3 is a completely different theme to the genre of my published novel – social realism, not urban fantasy. It also deals with heavy themes and topics that my publisher of Gods of Avalon Road strictly prohibits in their list of topics: namely sexual assault. Although I deal with this in a more abstract than graphic sense, I can understand how some publishers may want to avoid this topic entirely. Publishing is a business after all, and some may want to steer clear of what they view as risky topics that could potentially offend readers. In a nutshell, I didn’t even submit novel WIP#3 to Blossom Spring Publishing for consideration in the first place as it would have wasted all of our time.

Considering all of the above has helped solidify my decision to go forward on my self-publishing journey as an Indie Author. It’s new territory for me – I have no experience of typesetting a book or sourcing cover artwork/photography, as this was handled by the publishers of my three poetry collections and my novel. Nor have I made up my mind about whether to DIY it or use a distribution service to publish my work. These are all decisions that will unfold over the coming months depending on how skilled I become while undertaking these tasks – or not! Whatever route I decide to take, be sure I will write many more blog posts about it.

Literary summer plans

Finally! I’m up to 60k words with draft 1 of novel WIP#4, which is my supernatural horror. I needed to do some chapter planning for this most recent chapter (chapter 28) as there was a time skip in between and I had to make sure the continuity was sound. Since all is going well with this story, I’ve decided to make a plan for the coming weeks, which is loosely as follows:

1. Day job finishes at the end of June (I work in a grammar school, so I have July and August off, hooray!). This means I’m going to knuckle down and make writing my temporary 9-5.

2. Finish draft 1 of novel WIP#4 by hopefully the end of July.

3. Buy a new laptop and figure out how to typeset novel WIP#3 (that was finished last November and is currently out on submission to traditional publishers) using Adobe InDesign.

4. Source cover art for novel WIP#3, or maybe attempt to DIY it myself on Canva.

5. At some point hopefully towards the end of 2021, I’m hoping to ‘go wide’ with novel WIP#3. I’ll write about my reasons for deciding to self-publish in a later blog post.

For now I’m celebrating my novel writing progress this weekend with a nice bottle of Pinot Grigio, since I’m officially three-quarters of the way through novel WIP#4. 60,000 words is no easy feat, especially while working full-time, wrangling a rambunctious preschooler and running Bindweed Magazine. Whew!